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December 23, 2011

Textile Collection: Visit to Tai Yuan Weavers in Ratchaburi

Dr. Linda S. McIntosh, consulting curator of the Tilleke & Gibbins Textile Collection, will lead a study trip to Ratchaburi Province on January 15, 2012. The excursion will provide participants with an opportunity to learn more about Tai Yuan textiles of Central Thailand by visiting a museum and weaving centers.

Located 100 kilometers west of Bangkok, Ratchaburi Province is home to several ethnic groups that continue to produce hand-woven textiles. The Tai Yuan is one of the groups preserving cultural heritage by weaving traditional forms originating from northern Thailand while creating distinctive styles to symbolize their geographic locale. The ancestors of the Tai Yuan residing in central Thailand were from the former polity of Chiang Saen in present-day Chiang Rai Province. In the first decade of the 19th century, the citizens of Chiang Saen and surrounding areas were resettled in other parts of the kingdom, including Ratchaburi. This region was under the control of the Burmese kingdom for two centuries prior. In the late 18th century, Taksin and his general, who later became Rama I, rid the region from Burmese suzerainty. To prevent the return of Burmese control, the region was depleted of its citizens, and Chiang Saen was razed.

One of the main ethnic groups populating Chiang Saen (Muang Ngoen Yang) was the Tai Yuan. (The city was the first recognized polity of the Tai Yuan.) Many soldiers cooperated with the armies of Siam, and their families were brought to central Thailand to settle in areas near Bangkok. Tai Yuan women continued to weave traditional textiles in their new homes, and, over time, weavers began to create distinctive styles representing their village locale. Today, several styles exist in Ratchburi and include Khu Bua and Daun Rae styles. On this one-day excursion, the group will visit weaving centers in Khu Bua and Daun Rae and a private museum devoted to the textile heritage of Ratchaburi.  

The fee of THB 2000 covers, transportation, lunch, tips, and contributions to the museum, weaving centers, and weavers. The leader, Dr. Linda S. McIntosh, and the tour agency, CDM, reserve the right to change the schedule or postpone the outing as required. For more information or join the tour, please email: [email protected].

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April 26, 2011
The leading carpet and textile publication, HALI, introduces its readers to the Tilleke & Gibbins Textile Collection. David Lyman, Chairman & Chief Values Officer of Tilleke & Gibbins, is a well-known carpet collector and he unintentionally began the Tilleke & Gibbins Textile Collection in the late 1980s. The law firm first acquisitioned textiles from the diverse cultures of mainland Southeast Asia to decorate its offices. He soon recognized the need to build a collection of the region’s textiles to preserve this heritage for present and future generations.
April 26, 2011
Tilleke & Gibbins’ Consulting Curator Dr. Linda S. McIntosh describes how the oldest surviving law firm in Bangkok began a textile collection. The firm acquired textiles to decorate its offices in 1987. David Lyman, the firm’s Chairman & Chief Values Officer, realized how important it was to preserve the textile heritage of Southeast Asia and founded the Tilleke & Gibbins Textile Collection a few years later.
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Dr. Linda S. McIntosh, Consulting Curator of the Tilleke & Gibbins Textile Collection, presents the history and mission of the Collection to members of the now-defunct Textile Society of Hong Kong. The geographic scope is discussed since the Collection aims to house textiles with ties to mainland Southeast Asia, mainly Thailand. Thailand is a culturally diverse nation and has had close ties with its neighbors for centuries. Examples from the various Tai ethnic groups living in Thailand and other parts of the region have been collected.
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Weaving Paradise is the catalogue of an exclusive exhibition held at the Jim Thompson Art Center curated by Dr. Linda S. McIntosh. The exhibition focused on the importance of women’s work as textile producers in Southeast Asian societies and also recognized the artistry of each textile and the creativity of the producers. Although the numerous cultures found in this region are diverse, some similarities are found how they value women as the creators of textiles. Museum-quality examples from the Tilleke & Gibbins Textile Collection illustrated these aspects.