You are using an outdated browser and your browsing experience will not be optimal. Please update to the latest version of Microsoft Edge, Google Chrome or Mozilla Firefox. Install Microsoft Edge

February 21, 2017

3D Trademarks in Vietnam: Multiple Dimensions of Uncertainty

Informed Counsel

Under Vietnam’s Intellectual Property Law, three-dimensional trademarks are registrable, with the same criteria for protection as two-dimensional marks. However, a sense of confusion is inevitable when looking at the overall picture of 3D mark registration in Vietnam.

The NOIP’s View on Inherent Distinctiveness

The National Office of Intellectual Property (NOIP) has recently taken the stance that 3D marks without distinctive word/device/color elements are not inherently distinctive. Such 3D marks are usually refused protection on the grounds either that they are descriptive of the products, even if the 3D shapes are unique and nonfunctional, or that they are the common shapes of the products and are therefore generic. If a mark is considered descriptive, it can only be registered if it has obtained secondary meaning through use. If it is considered generic, it is not registrable, strictly speaking, even with evidence of use. However, there is a fine line between descriptive and generic in Vietnam. In many cases, even if a 3D mark is refused for being generic, it can be registered if the owner can prove that the 3D shape has obtained secondary meaning.

To prove secondary meaning, evidence of use of the mark in Vietnam (before the filing date) is the most influential factor. Evidence of use in other countries is considered, but carries less weight. The NOIP has sole discretion in deciding whether the evidence is sufficient to prove secondary meaning, and its examiners’ rulings tend to be subjective. For example, if a particular shape of bottle is commonly found in the market—even if this is the result of a 3D mark being widely counterfeited—the examiner may view this as evidence that the mark is nondistinctive because it is merely the common shape of the product.

But trademark owners can also meet with positive outcomes. For example, the NOIP recently granted protection to Cartier’s famous “Red Box” 3D mark based on intensive evidence of use of the mark in Vietnam and around the world.

Different Division, Different Practice

Setting aside the issues of prior rights, it can be difficult to understand why some marks are granted protection, while others are refused. For example, a search for 3D marks in the NOIP and WIPO online databases identifies four different bottles of spirits, each with curves and patterns contributing to what would appear to be similarly distinctive designs. Yet two of these bottles were granted protection as 3D marks, while two were refused. In fact, two of the marks—one approved, one rejected—belong to the same owner, a famous European whiskey brand.

The chief difference in these cases, then, does not appear to be one of distinctiveness, but rather that the two refused marks were extended to Vietnam under the Madrid Protocol, while the two approved marks were filed as national applications. In fact, one may find that 3D marks filed through the Madrid system are rarely granted protection, while 3D marks filed as national applications are more commonly approved.

The reason lies in the different practices of the examiners. Currently, international registrations designating Vietnam are examined by the geographical indication (GI) division, while national applications are examined by the trademark division. Examiners in these divisions hold different views on 3D marks. Specifically, examiners in the trademark division often approve protection for 3D marks that combine a distinctive element (word or device) and a product shape, but require the 3D shape to be disclaimed. Conversely, examiners at the GI division often refuse such marks, as they hold the view that for 3D marks, the 3D device is the single most important element, and if the 3D device (the shape) is not distinctive, then the mark should not be protected, because the purpose of protecting a 3D mark is lost if the mark is protected as a whole but the 3D shape is disclaimed. Unlike national applications (where the NOIP has sole discretion over disclaimers), for international registrations, the NOIP cannot by itself disclaim a certain element of a mark, unless the applicant voluntarily and clearly indicates a disclaimer in the international registration. Without the ability to add a disclaimer, the NOIP opts to simply refuse these marks.

Confusing Scope of Protection

Taking a closer look at some of the 3D marks that have been granted protection, one might wonder what exactly is being protected in these marks, since the 3D shapes, word elements, and devices are all disclaimed. The answer, of course, is that it is the combination of these elements that is protected. Or, in other words, the protection of such marks is only useful against counterfeiting where the counterfeit goods copy the exact shape and all the word/drawing/color elements on that shape. If a counterfeiter copies the shape only, in principle, that is not considered trademark infringement, as the shape is not separately protected.

Despite the inconsistencies and shortcomings discussed above, trademark owners are advised to pursue 3D mark registration if they seek protection of a 3D mark in its entirety. Additionally, they should opt for national trademark filing for a better chance of success. Though the current practice may not protect 3D marks to the extent owners desire, a certificate of registration will always be a plus for enforcement purposes, as the enforcement authorities usually request such documents before taking any actions.

RELATED INSIGHTS​ 

November 13, 2025
Tilleke & Gibbins has contributed the Thailand chapter to Franchise 2026, part of the International Comparative Legal Guides (ICLG) series published by Global Legal Group. This annual guide offers comparative analysis of franchise laws and regulations across jurisdictions worldwide, providing practical insights for businesses and legal practitioners operating in the global franchise sector. Each country chapter in the 12th edition follows a Q&A format covering key aspects of franchise law and operations, including: Relevant legislation and rules governing franchise transactions Business organization options for franchised operations Competition law considerations Protection of intellectual property and brands Liability issues and risk mitigation Governing law and dispute resolution Real estate matters Online trading regulations Termination requirements Joint employer risks and vicarious liability Currency controls and taxation Commercial agency considerations Good faith obligations and fair dealing requirements Ongoing relationship management Franchise renewal processes Franchise migration procedures Sustainability commitments Electronic signatures and document retention Current developments in the franchise sector The Thailand chapter, authored by Alan Adcock and Kasama Sriwatanakul, provides an in-depth overview of the legal landscape for franchising and franchising-related activities in Thailand. The complete Thailand chapter is available as a PDF below. The Thailand chapter—and the full Franchise 2026 guide—are also freely available on the ICLG website.
October 26, 2025
AI-generated songs are now making waves in Vietnam on platforms like TikTok, with tracks such as “Say mot doi vi em” quickly gaining popularity and sparking widespread attention. This phenomenon raises a host of legal and ethical questions: Who is the author of these songs? Can they be protected by copyright? Who is responsible if there is an infringement? These questions are becoming increasingly urgent as AI music becomes more mainstream in Vietnam. Copyright Protection for AI-Generated Music in Vietnam Under current Vietnamese law, copyright protection is reserved for works that bear the mark of human creativity. The 2022 amendments to Vietnam’s Intellectual Property Law reaffirm that only works created by humans are eligible for copyright. In practice, if a human meaningfully contributes to the creative process—by providing prompts, making selections, editing, or arranging—their contribution may be protected. However, if a song is generated entirely by AI without significant human input, it is unlikely to qualify for copyright protection. When an AI-generated song does not qualify for copyright protection, the question arises as to whether the person who writes the prompts, edits, or compiles the work can still be considered the owner of an asset under the Vietnamese Civil Code. According to Article 105 of the Civil Code 2015, assets include objects, money, valuable papers, and property rights. While AI-generated music that is not protected by copyright is not considered money or valuable papers, it may be regarded as an object (in the form of a digital file or recording) or as a property right if it can be possessed, used, transferred, or exploited for value. Use of AI-Generated Works Without Copyright Protection If a song is not protected by copyright, does that mean anyone can use it freely? Not necessarily. The absence of copyright does not mean the
October 24, 2025
Thailand currently lacks a specific franchise act. Consequently, the legality of any franchise agreement is determined by its compliance with various existing laws, such as the Civil and Commercial Code, the Trademark Act B.E. 2534 (1991) (as amended), and the Unfair Contract Terms Act B.E. 2530 (1997). Thailand is a freedom-to-contract jurisdiction. This allows for a high degree of flexibility and autonomy in contractual arrangements, provided that the terms do not violate any laws or public policy and do not fall under the scope of unfair contract terms. Given this, the requirement for fairness in franchise agreement terms often leads to uncertainty, but decisions from the Trade Competition Commission of Thailand (TCCT) can provide guidance on whether specific contentious terms are in fact fair.  One issue worth examining in this light is the inclusion of terms on nonrefundable franchise fees and strict purchasing conditions. Franchise Fee: Unfair to Refuse Refund? Nonrefundable franchise fees represent a significant upfront investment for franchisees, often becoming a point of contention if the franchise relationship deteriorates or the franchisor ceases operations. Their fairness and enforceability are frequently scrutinized by regulatory bodies like the TCCT, highlighting the critical balance between contractual freedom and franchisee protection. Faced with one such case, the TCCT considered whether it was unfair for the franchisor to refuse to refund the franchise fee after the franchisor ceased operations.  The franchisee had entered into a service agreement on August 2, 2021, and begun operating on October 9, 2021. However, by November 21, 2023, the franchisee was notified that the system would be shut down for maintenance, and by December 26, 2023, the franchisor announced the cessation of operations due to financial losses. The franchisee then requested a refund of the franchise fee. Unfortunately for the franchisee, the TCCT found that the franchisor’s
October 23, 2025
Myanmar’s customs authorities have introduced new procedures allowing copyright holders to protect their intellectual property from infringing goods at the border. The Ministry of Finance and Revenue issued Notification No. 107/2025 on September 11, 2025, establishing rules and requirements for customs recordation under the Copyright Law of 2019. The notification includes eight official forms for copyright-related customs matters—three for applicants and five for the Customs Department. This was followed by Customs Department Announcement No. 1/2025, dated September 29, 2025, which details the security required for suspended goods. Customs recordation provides a proactive mechanism for rights holders to prevent importation of pirated works. By registering their works with the Customs Department, rights holders gain access to enhanced border enforcement measures, empowering customs officials to identify and intercept pirated goods before they enter the market. While copyright protection in Myanmar arises automatically under the Copyright Law of 2019, a registration certificate for copyright or related rights is required to apply for customs recordation. Customs Recordation Registered copyright and related rights holders can apply directly or through authorized legal representatives for customs recordation to prevent cross-border trade in pirated works. Applications must use the prescribed form and include all supporting documentary evidence specified in the form. The Customs Department will notify applicants within 15 days of receiving their application. Each recordation remains valid for two years from the date of acceptance and may be renewed for successive two-year periods by submitting a renewal application at least 30 days before expiration. Rights holders whose works are recorded must notify the Customs Department within five days of any amendment or withdrawal of information at the Intellectual Property Department. Suspension Orders Registered copyright and related rights holders can request a suspension order to prevent release of pirated goods into free circulation, regardless of whether they